CHOREOGRAPHY
UPCOMING
(UP)HOLDING
April 12 - 15 2023
Dancehouse presents the Melbourne premiere of Tra Mi’s work (UP)HOLDING as part of Dancehouse’s Season 1 Program. Purchase tickets HERE
Stuck in a loop, (UP)HOLDING questions the morality of endurance in this endless marathon of existence…and performance.
A high-energy work for 3, (UP)HOLDING is a dance that struggles to endure itself. Inspired by the gruelling ‘dance marathons’ of America’s Depression Era, the show toys with acts of endurance and performance. Our role as viewer is challenged as we witness the ridiculous/unrelenting marathon of life alongside the performers. Looping over and over, the work exists in a flux of repetition and desperation as the performers surge through a complex choreography; juggling ceaseless movements with an increasing sense of urgency…enduring, struggling and performing their way towards clarity and resolution.
Creative team:
Choreographer/Performer : Tra Mi Dinh
Performer : Emma Harrison
Performer : Emma Riches
Sound Design : Robert P Downie
Lighting Design : Giovanna Yates
This work has been supported by : March Dance, Ausdance NSW, Lucy Guerin Inc, Temperance Hall, Brand X and the Keir Foundation.
Original cast included dancer/collaborator Zachary Lopez
PAST WORK
The ___
Presented by Dancehouse, the Keir Foundation, Australia Council for the Arts, and Carriageworks.
By Tra Mi Dinh as part of the 2022 Keir Choreographic Award
The ___ explores the duality and complexity of endings in a duet caught between harsh and slippery edges. Two dancers oscillate through shifting scenes that challenge the finality of “endings” and what it means for something to come to a close. In their attempts to navigate the interchanging framework that shapes each experience against the next, multiple timelines converge to show that while some endings are final, others linger.
Tickets on sale now - for the Melbourne season at Dancehouse here and Sydney season at Carriageworks here
Creative team:
Choreography by Tra Mi Dinh
Performers : Claire Leske and Tra Mi Dinh
Sound by Robert Downie
HOLDING
Premiered at March Dance 2021 on 12th and 13th March at Woodburn Creatives
HOLDING is a dance work that examines how people deal with waiting – the kind of waiting that’s forced upon you. When subjected to an unrelenting, repetitive structure people often hold on to unnecessary tension. It’s this tension that can send us into disarray – where do we hold it? Where should we place it? How do we expel it?
Initially developed thanks to Tasdance On the Island Residency, guided by Adam Wheeler.
Creative team:
Sound by Robert Downie
Production/Graphic Design by Andrew Fraser
Voiceover by Barton Welch
it’s here but it’s also everywhere
Presented as part of Home Bodies by Dance Makers Collective
Commissioned by Dance Makers Collective, Home Bodies is a project that aims to enliven our immediate (and online) communities through 25 short works by artists across Sydney and Melbourne. Find more info on all the artists at DMC’s website
Video can be found here
Creative team:
Choreographer/performer Tra Mi Dinh
somewhat similar
This piece was created while in my final year at the Victorian College of the Arts, Uni Melb. It was presented as part of the DanceOn season in June 2014.
Creative team:
Sound by Joseph Buchanan
Costume by Jack Fordham
Dancers - Bronte Della Bosca, Claire Rodrigues, Harrison Ritchie-Jones, Anna Macindoe, Kaitlyn McConnell, Milo Love, Emma Riches